‘Othello’ Review: David Harewood's Fiery General and Toby Jones’s Malevolent Iago
Tom Morris’s production of Shakespeare’s tragedy Othello is currently running at the Theatre Royal Haymarket until 17 January 2026. This polished West End staging presents a powerful rendition of the classic play.
Nearly 30 years ago, David Harewood became the first Black actor to portray Othello at the National Theatre. Now, he returns to embody the Moorish general, a man whose trust in the deceitful ensign Iago leads to his tragic downfall.
While Harewood did not reprise his 1997 performance, which he described as “balling and screaming” in fury over Desdemona’s alleged betrayal, this interpretation reveals a more seasoned Othello. Initially calm and wise, his composure soon dissolves into a violent rage, consumed by Iago's manipulation.
Transformation of Othello
Harewood’s Othello shifts from a composed leader to a brutal hothead, blinded by jealousy and unable to recognize the true nature of those around him. This transformation is central to the tragedy’s emotional depth.
Powerful Onstage Chemistry
Harewood finds a perfect counterpart in Toby Jones, whose portrayal of Iago is wicked and convincingly manipulative, deepening the play’s tension and complexity.
“I didn’t see Harewood’s 1997 interpretation, but by his own account he played the part ‘balling and screaming’ with rage – responding to claims of Desdemona’s infidelity and his former lieutenant’s treachery as many young men would.”
“Harewood has a wonderfully wicked scene partner in Toby Jones.”
This production highlights the devastating effects of jealousy and deceit, brought vividly to life through the actors’ intense performances and Tom Morris’s direction.
Author’s summary: David Harewood brings seasoned depth to Othello’s tragic descent, matched by Toby Jones’s cunning Iago, in a gripping West End production.