Othello is Missing the Tragedy
Tom Morris's production at the Theatre Royal Haymarket, featuring David Harewood as Othello and Toby Jones as Iago, presents a captivating but flawed interpretation of Shakespeare's play.
Visual and Dramatic Elements
The set design by Ti Green is impressive, with twisting arches suspended above the stage and mesh screens projecting eerie visuals that reflect Othello’s inner turmoil. The pacing is sharp and fluid, making the nearly three-hour performance feel light and engaging, a rare achievement in Shakespearean theater.
Character Portrayals
Toby Jones shines as Iago. Known and beloved nationwide for his role in Mr Bates vs The Post Office, Jones draws the audience in with his mischievous asides revealing his malicious plans. His manipulation, which convinces Othello that Desdemona is unfaithful and leads to tragic consequences, is compelling and entertaining.
Missing the Core Evil
Despite these strengths, the production lacks a convincing portrayal of true evil. The audience is led to sympathize with the wrong character, diluting the play’s essential examination of how pure wickedness affects honest, moral people.
"What happens to decent, upstanding, moral people when an agent of pure wickedness is injected into their midst? It matters, therefore, that the evil is evil enough."
In terms of entertainment, the show is brilliant. Yet, on the critical question of evil’s nature and impact, the production falls short.
Author’s Summary
This production impresses visually and dramatically but misses the tragic essence by softening the portrayal of evil that drives the heart of Othello’s story.
Would you like the tone of the summary to be more formal or conversational?